Film Courses

Fall 2020

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Art Since 1945

ARTH 267 - King, Elliott H.

This course introduces students to art and art theory from 1945 to the present. The objectives of the course are: (1) to enhance student knowledge of the major works, artists, and movements of art in Europe and the United States since 1945; (2) to integrate these works of art within the broader social and intellectual history of the period; and  (3) to help students develop their skills in visual analysis and historical interpretation. Among the issues we examine are the politics of abstract art; the ongoing dialogue between art and mass culture; the differences between modernism and postmodernism; and contemporary critiques of art history's prevailing narratives. This is a lecture course with a heavy emphasis on in-class discussion.

Drawing I

ARTS 111 - Beavers, Leigh A.

Development of skills and visual awareness through the study of the basic elements of drawing. Variety of media, including pencil, charcoal, ink and crayon. Lab fee required.

Photography I

ARTS 120 - Bowden, Christa K.

An introduction to the methods and materials of black and white film photography, with an emphasis on composition, exposure, and darkroom technique. The course includes a combination of image presentations, technical demonstrations, studio instruction, and group critiques. Lab fee required; cameras are available for check-out.

Photography I

ARTS 120 - Archer, Clover H.

An introduction to the methods and materials of black and white film photography, with an emphasis on composition, exposure, and darkroom technique. The course includes a combination of image presentations, technical demonstrations, studio instruction, and group critiques. Lab fee required; cameras are available for check-out.

Design I

ARTS 131 - de Lissovoy, Sandy B.

An introduction to the elements and concepts of two-dimensional design within the context of current digital technology, with an emphasis on contemporary computer software programs.

Painting II

ARTS 218 - Olson-Janjic, Kathleen

Continuation of ARTS 217. Lab fee required.

Introduction to Film

ENGL 233 - Sandberg, Stephanie L.

An introductory study of film taught in English and with a topical focus on texts from a variety of global film-making traditions. At its origins, film displayed boundary-crossing international ambitions, and this course attends to that important fact, but the course's individual variations emphasize one national film tradition (e.g., American, French, Indian, British, Italian, Chinese, etc.) and, within it, may focus on major representative texts or upon a subgenre or thematic approach. In all cases, the course introduces students to fundamental issues in the history, theory, and basic terminology of film.

Script Analysis for Stage and Screen

FILM 121 - Collins, Owen

The study of selected plays and screenplays from the standpoint of the theatre and screen artists. Emphasis on thorough examination of the scripts preparatory to production. This course is focused on developing script analysis skills directly applicable to work in production. Students work collaboratively in various creative capacities to transform texts into productions.

Introduction to Film

FILM 233 - Sandberg, Stephanie L.

An introductory study of film taught in English and with a topical focus on texts from a variety of global film-making traditions. At its origins, film displayed boundary-crossing international ambitions, and this course attends to that important fact, but the course's individual variations emphasize one national film tradition (e.g., American, French, Indian, British, Italian, Chinese, etc.) and, within it, may focus on major representative texts or upon a subgenre or thematic approach. In all cases, the course introduces students to fundamental issues in the history, theory, and basic terminology of film.

Research and Writing Film Capstone

FILM 413 - Sandberg, Stephanie L.

A collaborative group research, writing, and/or production project for junior or senior minors, conducted in supervising faculty members' areas of expertise, with directed independent study culminating in a substantial final project. Possible topics include global and national film, focused treatments of auteur-directors or genres, film and psychology, film and technological change, film and painting, original film production.

Jesus in Fact, Fiction, and Film

REL 153 - Brown, Alexandra R.

A study of representations of Jesus in history, fiction, and film and the ways in which they both reflect and generate diverse cultural identities from antiquity to the present. The course begins with the historical Jesus and controversies about his identity in antiquity and then focuses on parallel controversies in modern and postmodern fiction and film. Readings include early Christian literature (canonical and non-canonical), several modern novels and works of short fiction, and theoretical works on the relationship of literature to religion. In addition, we study several cinematic treatments of Jesus dating from the beginnings of filmmaking to the present.

Script Analysis for Stage and Screen

THTR 121 - Collins, Owen

The study of selected plays and screenplays from the standpoint of the theatre and screen artists. Emphasis on thorough examination of the scripts preparatory to production. This course is focused on developing script analysis skills directly applicable to work in production. Students work collaboratively in various creative capacities to transform texts into productions.

Stage Acting 1

THTR 141 - Levy, Jemma A.

An introduction to acting for the stage. In this hands-on class, students learn and develop physical and vocal techniques for text-based and improvisational performance, focusing on relationships, objectives, and actions. Work includes in-class scene presentations from modern scripts.

Introduction to Performance Design

THTR 251 - Collins, Owen

An introduction to the history, fundamentals and aesthetics of design for theater and dance with an emphasis on the collaborative nature of the design disciplines. Design projects are required. Lab fee required

Lighting Design

THTR 336 - Evans, Shawn Paul

A study of the practice of stage lighting, focusing on styles of production, historical methods and artistic theory. Culminates in a light design for a public theatrical production. Lab fee required.

Spring 2020

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

East Asian Cinema

EALL 215 - Zhu, Yanhong

This course provides an introduction to and overview of contemporary East Asian cinema, including the Chinese-language cinemas of the People's Republic of China, Hong Kong, and Taiwan, and those of Japan and Korea. It focuses on the flourishing cinema of East Asia since the 1980s and provides a solid foundation in the successes and dominant tendencies of contemporary East Asian cinema and culture. Among the aims of the course are examining ways in which the contemporary East Asian cinemas and cultures are in dialogue with one another and looking at specific conditions and cultural forces at work in each unique case. The course also explores how the cinemas of East Asia reflect the changing cultural, economic, historical, political and social conditions of each country and how these cinemas and cultures are part of a larger redefinition of the idea of a national culture. Screenings and readings consist of exemplary works from each East Asian culture, organized around specific motifs, such as history, memory, identity, communication, love, and death.

Topics in British Literature

ENGL 292 - Dobin, Howard N. (Hank)

British literature, supported by attention to historical and cultural contexts. Versions of this course may survey several periods or concentrate on a group of works from a short span of time or focus on a cultural phenomenon. Students develop their analytical writing skills through both short papers and a final multisource research paper. May be repeated for degree credit and for the major if the topics are different.

Spring 2020, ENGL 292-01: Topic in British Literature: Celluloid Shakespeare (4). Prerequisite: Completion of the FDR FW writing requirement. The films adapted from or inspired by William Shakespeare's plays are a genre unto themselves. We study a selection of films, not focused on their faithfulness to the original playscript but on the creative choices and meanings of the distinct medium of film. We see how the modern era has transmuted the plays through the lens of contemporary sensibility, politics, and culture—and through the new visual mode of film storytelling. We hear reports from students about additional films to expand the repertoire of films we study and enjoy. (HL) Dobin . [counts toward MRST requirements and FILM minor as a film course, when appropriate]

Screenwriting

FILM 220 - Sandberg, Stephanie L.

In this course, students learn about the art and business of screenwriting, studying story and narrative structures, and what makes a story interesting to us. We begin by looking at the human need for story and how we can both access and feed this basic principle of human existence. In addition, you learn how to write your own stories into a screenplay. With creative discipline, you practice writing believable characters and scenes that will draw audiences in through the art of crafting great dialogue. You begin with the spark of your idea at the beginning of the term, turn it into a treatment, and eventually a full screenplay that you then have an opportunity to pitch to a producer for feedback. From your first draft, you learn the art of refining your screenplay, focusing on how to give it great tonality and form, building your skills as a writer, a creative thinker, and following through a whole artistic process.

Music in the Films of Stanley Kubrick

FILM 285 - Gaylard, Timothy R. (Tim)

How does music add power and meaning to a film? What are the connections between the flow of music and the flow of a dramatic narrative? How does music enhance visual images? The course will focus on the pre-existent classical compositions chosen by Stanley Kubrick for his movies 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Barry Lyndon (1975), and The Shining (1980). The ability to read music is not a requirement for this course.

Digital Media and Society

JOUR 270 - Artwick, Claudette G.

Facebook, YouTube, and iPhones are popular, if not essential elements in college students' busy lives. Being born into the digital age, students have grown up with profound and rapidly changing media and communication technologies, yet likely take them for granted. This course takes an in-depth look at digital media, exploring the relationship between technology and social change. The concept of technological determinism guides our examination of social networking, online news/information, digital entertainment, and health online.

Music in the Films of Stanley Kubrick

MUS 285 - Gaylard, Timothy R. (Tim)

How does music add power and meaning to a film? What are the connections between the flow of music and the flow of a dramatic narrative? How does music enhance visual images? The course will focus on the pre-existent classical compositions chosen by Stanley Kubrick for his movies 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Barry Lyndon (1975), and The Shining (1980). The ability to read music is not a requirement for this course.

Seminar in Politics, Literature and the Arts

POL 290 - Connelly, William F., Jr. (Bill)

In this course, we study how literature, film, and other media are used to examine political themes and how they are used to achieve political ends. We address how politics shapes the arts and how the arts shape politics. The topic is announced at registration. May be repeated for degree credit if the topics are different. Only one such seminar may be counted towards the politics major.

Spring 2019, POL 290-01: Politics and Culture: Seminar in Politics, Literature, and the Arts (3). Prerequisite: POL 100. In this American politics course, we study how literature, film, and other media are used to examine political themes and how they are used to achieve political ends. We explore the interplay between politics and culture from William Shakespeare's King Lear to Mark Twain's Tom Sawyer to Lin Manuel Miranda's Hamilton, with a particular focus on the role of political humor in reflecting and molding political mores and opinions. Movies include Casablanca and Mr. Smith Goes to Washington. We address how politics shapes the arts and how the arts shape politics. Political science texts supplement the artistic sources assigned. (SS2) Connelly.

Seminar in Politics, Literature and the Arts

POL 290 - Ponce de Leon Seijas, Zoila

In this course, we study how literature, film, and other media are used to examine political themes and how they are used to achieve political ends. We address how politics shapes the arts and how the arts shape politics. The topic is announced at registration. May be repeated for degree credit if the topics are different. Only one such seminar may be counted towards the politics major.

Spring 2020, POL 290-02: Seminar in Politics, Literature and the Arts: Dystopian Fiction, Horror, and Politics (3). An examination of the political commentary included in dystopian fiction and horror novels and films. Through the analysis of seminal novels such as 1984 and Brave New World, and more recent films such as US, students assess different political concepts, including power, government, freedom, and equality. Literature and film can offer the most mesmerizing yet frightening depictions of our present and future world. At the same time, they can provide us with the opportunity to critically compare our contemporary experiences to those portrayed in them. Our main goal is to critically assess the role of the government and powerful actors in our society. We complement our analysis with a variety of academic readings and opinion pieces. (SS2) Ponce de Leon.

Winter 2020

See complete information about these courses in the course offerings database. For more information about a specific course, including course type, schedule and location, click on its title.

Color Photography

ARTS 224 - Bowden, Christa K.

An exploration of the visual and technical principles of color photography, as applied in the digital realm. Students learn the concepts of color photography through studio projects, as well as image presentations, readings, and discussions of methods and artists, historical and contemporary. Students photograph in digital format and learn the craft of fine color printing in the digital darkroom. Lab fee required; cameras are available for check-out.

Science in Art

CHEM 156 - Uffelman, Erich S.

This course develops students' fundamental understanding of certain physical, chemical, biological, and geological concepts and utilizes that vocabulary and knowledge to discuss 17th-century Dutch art. The emphasis is on key aspects of optics, light, and chemical bonding needed to understand how a painting "works" and how art conservators analyze paintings in terms of conservation and authenticity, using techniques such as X-ray radiography, X-ray powder diffraction, scanning electron microscopy, Raman microscopy, infrared spectroscopy, infrared microscopy, infrared reflectography, gas chromatography, liquid chromatography, mass spectrometry, UV-vis spectroscopy, UV photography, and laser ablation methods. When possible, the course develops modern notions of science with those of the 17th century in order to see how 17th-century science influenced 17th-century art.

Introduction to Film

ENGL 233 - Dobin, Howard N. (Hank)

An introductory study of film taught in English and with a topical focus on texts from a variety of global film-making traditions. At its origins, film displayed boundary-crossing international ambitions, and this course attends to that important fact, but the course's individual variations emphasize one national film tradition (e.g., American, French, Indian, British, Italian, Chinese, etc.) and, within it, may focus on major representative texts or upon a subgenre or thematic approach. In all cases, the course introduces students to fundamental issues in the history, theory, and basic terminology of film.

Introduction to Film

FILM 233 - Dobin, Howard N. (Hank)

An introductory study of film taught in English and with a topical focus on texts from a variety of global film-making traditions. At its origins, film displayed boundary-crossing international ambitions, and this course attends to that important fact, but the course's individual variations emphasize one national film tradition (e.g., American, French, Indian, British, Italian, Chinese, etc.) and, within it, may focus on major representative texts or upon a subgenre or thematic approach. In all cases, the course introduces students to fundamental issues in the history, theory, and basic terminology of film.

Research and Writing Film Capstone

FILM 413 - Evans, Shawn Paul

A collaborative group research, writing, and/or production project for junior or senior minors, conducted in supervising faculty members' areas of expertise, with directed independent study culminating in a substantial final project. Possible topics include global and national film, focused treatments of auteur-directors or genres, film and psychology, film and technological change, film and painting, original film production.

The Documentary

JOUR 338 - Finch, Kevin D.

A critical study of the documentary in film and television, with analysis of prominent directors and genres.

Stage Acting 1

THTR 141 - Levy, Jemma A.

An introduction to acting for the stage. In this hands-on class, students learn and develop physical and vocal techniques for text-based and improvisational performance, focusing on relationships, objectives, and actions. Work includes in-class scene presentations from modern scripts.

Scene Painting and Scenic Art

THTR 337 - Collins, Owen

This course is an exploration and application of the methods and materials used in painting and finishing scenery for the theater. The course covers both historical and current scene painting techniques, as well as the tools and paints that have been developed to support those techniques. Outside projects are required. Lab fee required.